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No one approach is entirely satisfying and any combination of methods can be both convincing and raise questions about their efficacy at the same time.

I will selectively employ methods that grow out of ethnography, folklore, performance studies, literary studies and discourse analysis; ultimately using one or a combination of these as dictated by the specific situations of performance context.

Many web-based social networking sites, such as Facebook and Twitter, have created mobile applications to give their users instant and real-time access from anywhere they have access to the Internet.

Additionally, native mobile social networks have been created, such as Instagram, Foursquare, and Strava, to allow communities to be built around mobile functionality.

Each region has its own specialties — barbecue in Missouri, Memphis, and North Carolina; Creole food and oysters in New Orleans; Cajun food on the Bayou; fried chicken in Nashville; the growing organic food scene in Atlanta; and upscale dining in Oxford, Mississippi.

I pictured Southern food as greasy, fried, and heavy fare.

I’d spent a lot of time thinking about what the next big in social messaging was going to be, and as I flipped through British Airway’s in-flight magazine that showed its hundreds of routes around the world, a vision started to crystallize. There was apprehension, and possibly a faked medical emergency involved, but finally I managed to reach our COO.The evolution of social networking on mobile networks started in 1999 with basic chatting and texting services.With the introduction of various technologies in mobile networks, social networking has reached an advance level over four generations. The services of this generation's mobile social networks can be used on a pay-as-you-go or subscription-to-service basis.I will interrogate some ideas in the ongoing ethnographic/critical debate, and then suggest some strategies of description that will lead to a clearer, if not necessarily a deeper, understanding of the collection of story-performances in my fieldwork and, in particular, the narratives contained in the chapters that follow.There are many ways to go at the dynamics of living performances and these cross a number of scholarly disciplines.

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